The scheduled Brussels concert of American metal band Disturbed will take place as planned on October 15, despite mounting controversy surrounding frontman David Draiman’s outspoken stance on the conflict in Gaza.
The controversy erupted after Draiman shared a photo on social media last June in which he appeared to be signing an Israeli army artillery shell with the words “Fuck Hamas.”
The image, taken in the presence of Israeli soldiers, drew sharp criticism from rights advocates and fans who accused him of glorifying violence.
Draiman later defended his actions during a Florida concert, clarifying that his condemnation was directed specifically at Hamas rather than Palestinians as a whole.
“Hamas celebrates death and must be eradicated,” he told the crowd. “Not the Palestinians, but Hamas.” His remarks, however, did little to quell the debate, with critics calling them inflammatory and insensitive given the humanitarian toll in Gaza.
Neutral Stance from Venue
Forest National, the Brussels concert hall set to host the event, confirmed on Tuesday that the show remains scheduled. “We understand that people have questions, but we are taking a neutral stance,” the venue said in a statement. “The live experience should be accessible to everyone.”
The venue stressed that responsibility for any cancellations rests with the event organiser, Live Nation, which has not issued any comment regarding possible changes to the concert schedule.
Local Authorities Voice Concern
Charles Spapens, mayor of the Forest municipality where the venue is located, acknowledged the mounting public concern but said local authorities lack the power to intervene. “Forest National is in charge of its own programme,” he explained.
Nevertheless, Spapens condemned Draiman’s actions, calling them “a moral problem.” He added, “This is about a man who signed a bomb that was dropped on Gaza. We do not support the presence of this artist, and even less so his position on Gaza.”
Wider Debate Over Music and Politics
The controversy has reignited debates about whether artists should be held accountable for their political statements and actions outside the stage.
While some argue that music should remain a space free from political interference, others insist that Draiman’s actions cross a moral line, particularly in light of the ongoing humanitarian crisis in Gaza.
For now, the Brussels concert remains on track, though the debate surrounding it is unlikely to subside before the band takes the stage next month. The controversy underscores the delicate balance venues and organisers must maintain when global politics intersects with popular culture.
